#1088: Croquet’s Browser-Based, Operating System for the Metaverse: An architectural & philosophical deep dive into real-time collaboration Post date May 20, 2022
#1087: IndieWire Editor Eric Kohn on Deepening Critical Discourse within VR & Immersive Storytelling Post date May 16, 2022
#1086: Anne McKinnon on the Ristband Music Platform going into Alpha, Pixel Streaming, & the Future of Musical Experiences Post date May 16, 2022
#1085: Site-Specific Immersive Audio Piece “Radio Ghost” Changed the Way I See Malls Post date May 16, 2022
#1084: Provocative Spatial Audio Piece “Paradise” Attempts to Blend Too Many Genres Diluting their Impact Message about Domestic Violence Post date May 16, 2022
#1083: “Lustration” Afterlife Detective VR Episodic Series Explores Multi-Perspective Narratives Post date May 13, 2022
#1082 Roman Rappak’s Mixed Reality Live Music Performance & an Art History Perspective on XR + music Post date May 2, 2022
#1081: Using VR to Capture Memories of Home with Sunghwan Lee’s “Ihyangjeong: Carving with Memories” Post date May 2, 2022
#1080: Targo Stories is Pushing Forward Immersive 360 Video Storytelling with “Surviving 9/11: 27 Hours Under the Rubble” Post date May 2, 2022